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სოცრეალიზმის, როგორც საბჭოთა ლიტერატურის თეორიული მეთოდის, კრიტიკული შესწავლა და თანამედროვე შეფასებები უცხოურ ლიტერატურათმცოდნეობაში

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dc.contributor.author გაფრინდაშვილი, ნანა
dc.date.accessioned 2022-01-12T11:16:28Z
dc.date.available 2022-01-12T11:16:28Z
dc.date.issued 2021
dc.identifier.citation საერთაშორისო სამეცნიერო კონფერენცია: 1921 წლის ისტორიულ-კულტურული მოვლენები: ხედვა საუკუნის შემდეგ, თეზისები, 2021, გვ. 27-30/ International Scientific Conference: HISTORICAL AND CULTURAL EVENTS OF 1921: THE VISION A CENTURY LATER, Theses, 2021, pp.: 27-30 en_US
dc.identifier.uri http://dspace.tsu.ge/xmlui/handle/123456789/1028
dc.description კონფერენცია ეძღვნება ჭაბუა ამირეჯიბის დაბადებიდან 100 წლის იუბილეს/ The Conference is Dedicated to the 100th Anniversary of Chabua Amirejibi en_US
dc.description.abstract Theoretical works created regarding the main methods of Soviet literature- Socialist Realism, differ significantly from each other concerning their ideological vector and content. Studies conducted in the former USSR and other countries, both in the Soviet and post-Soviet periods, are distinguished by different approaches. The study of the theoretical issues of Socialist Realism was one of the most important, sharply ideologized tasks of the Soviet literary criticism. There are many works in Georgian literature written in the Soviet era when Social Realism was discussed and evaluated from an officially accepted standpoint (B. Zhgenti, A. Topuria, S. Radiani, G. Jibladze, S. Chilaia, and others). However, some scholars took a different position in that era (a treatise by Abram Terz, “What is Socialist Realism?”). In the last period of the Soviet Empire, Georgia also revealed a critical attitude towards Socialist Realism (Akaki Bakradze’s “Taming of Writing”). This period marks the beginning of a new ideological and theoretical interpretation of the Soviet past. The book by Catherine Clarke, “History as a Ritual”, was of great significance concerning the exploration of both Socialist Realism and Soviet literature. H. Gunter’s “Nationalization of Literature: The Creation and Functioning of the Socialist Law in the Soviet Literature of the 1930s,” (published in Stuttgart in 1984) is considered significant research of the 1980s. A special place in the study of Social Realism is occupied by a thousand-page collection “The Socialist Law”, published in 2000, “The Formation of the Soviet Writer” (1999), by American professor Eugene Dobrenko is a significant fundamental study as well. There are two tendencies in the evaluation of Social Realism in modern literature. One group of researchers tries to critically evaluate Social Realism as a product of the Soviet era. On the other hand, in other researchers’ evaluations, one can feel a certain sympathy and nostalgia (Yuri Borev, “Socialist Realism: The view of a modern person and a modern view”, 2008). At the beginning of the XXI century, the study of Socialist Realism became more popular in the world. The interest in this phenomenon deepened in the Georgian and post-Soviet works dedicated to the issue. The absence of ideological pressure and a certain temporal distance allows the researchers interested in this issue to boldly and objectively analyze the subject of the study. en_US
dc.language.iso ge en_US
dc.subject სოცრეალიზმი en_US
dc.subject ლიტერატურათმცოდნეობა en_US
dc.subject საბჭოთა ლიტერატურა en_US
dc.subject Socialism en_US
dc.subject Literary Studies en_US
dc.subject Soviet Literature en_US
dc.title სოცრეალიზმის, როგორც საბჭოთა ლიტერატურის თეორიული მეთოდის, კრიტიკული შესწავლა და თანამედროვე შეფასებები უცხოურ ლიტერატურათმცოდნეობაში en_US
dc.type Thesis en_US

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