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Idealization of the Sky in Lyrical Works of Georgian and European Writers

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dc.contributor.author Vardoshvili, Eka
dc.date.accessioned 2022-04-14T11:42:18Z
dc.date.available 2022-04-14T11:42:18Z
dc.date.issued 2021-02
dc.identifier.citation International Journal of Science and Research (IJSR), Volume 10 Issue 2, February 2021, pp. 350-353 en_US
dc.identifier.issn 2319-7064
dc.identifier.uri http://dspace.tsu.ge/xmlui/handle/123456789/1423
dc.description https://www.ijsr.net/archive/v10i2/SR21203175032.pdf en_US
dc.description.abstract One of the most important tasks of literary studies is taking into account the forms of parallel motives and images. Common tendencies are noticed in discussion of the works of Georgian as well as European Romanticists, also realist writers. The image of the sky is characteristic for poetry of N. Baratashvili, Al. Chavchavadze, Goethe, Byron, G. Leopardi, H. Heine, I. Chavchavadze, VazhaPshavela, Béranger, Sh. Petofi. The visible sky has its contents, as everything around us, its contents is invisible, eternal sky, as divine essence. Thus, in the lyrical works of these writers, invisible or divine, as well as visible or material sky is shown. However, discussing works of Georgian and European writers we should take into account their national-literary traditions, the social condition in XIX century and biblical philosophical foundations. Idealization of the sky is characteristic for world lyric poetry. en_US
dc.language.iso en en_US
dc.subject sky en_US
dc.subject visible en_US
dc.subject invisible en_US
dc.subject lyrical works en_US
dc.title Idealization of the Sky in Lyrical Works of Georgian and European Writers en_US
dc.type Article en_US

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