Abstract:
An influence of the Pagan Iranian culture on the Georgian art is
considered here based upon various data: architectural complexes of
pagan temples in Eastern Georgia, reliefs, crafts etc. Fire-temples of the
Iranian type from Eastern Georgia are most important for our discussion
together with those, which were later converted to the Christian churches.
This group also containes churches modeled upon the Iranian Pagan
architecture.
One of the parts of the paper covers the problem of Mithra-religion
in Georgia and some regions of Roman world, especially in provinces of
the Empire (ex. Mithra of Trapesus, the Thracian Rider etc.).
Synthesis of Zoroastian and Christian symbols in some of the
Georgian artifacts is also interesting (ex. Cross on the fire-altar; Cross
and Taenia depicted together etc.).