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დანტე 700 - ბეატრიჩე ქართულ სცენაზე

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dc.contributor.author მაზიაშვილი, დავით
dc.date.accessioned 2021-11-09T06:45:06Z
dc.date.available 2021-11-09T06:45:06Z
dc.date.issued 2021
dc.identifier.citation „დანტეს შემოქმედება, როგორც მსოფლიო კულტურული მემკვიდრეობის საგანძური“, თეზისები, 2021, გვ.: 35-38/ “Dante’s Creative Work as the Treasure of the World Cultural Heritage”, Abstracts, 2021, p.: 35-38 en_US
dc.identifier.uri http://dspace.tsu.ge/xmlui/handle/123456789/796
dc.description დანტე ალიგიერის გარდაცვალებიდან 700 წლისთავისადმი მიძღვნილი საერთაშორისო სამეცნიერო კონფერენცია/ International Scientific Conference Dedicated to the 700th Anniversary of the Death of Dante Alighieri en_US
dc.description.abstract The marking of the 700th anniversary since the death of Dante Alighieri in Georgia began with the world premiere of Mariam Aleksidze’s contemporary ballet Beatrice. The contemporary ballet-vision Beatrice was inspired by Dante’s Divine Comedy and is another interesting and original contemporary interpretation of the poem. The concept of the ballet is based on the artistic idea of Dante’s “triad” (Inferno, Purgatorio and Paradiso), uniting the choreographic, plastic (physical) and geometric thinking in Mariam Aleksidze’s perception of the world; spiritual and intellectual music created especially for Beatrice by Dario Marianelli, contemporary Italian composer and winner of Oscar and Golden Globe awards; and high level of performance in musical and plastic forms of contemporary Georgian artists. The artistic foundation of the contemporary ballet is Beatrice, Dante’s muse and a carrier of a symbol of multiple allusions in the same way as The Divine Comedy itself. In the ballet, Beatrice is both the protagonist and antagonist: human, demonic and divine natures are concentrated within her. The musical and plastic world of the ballet is constructed precisely around the artistic idea of Beatrice’s transformation and metamorphosis, it begins with the hellish (earthly) reality of the contemporary reality and ends with Dante’s cosmic, harmonious unity of three colours (the triad) – a metamorphosis of the trinity symbol. Given all of the above, I consider the question of interrelation between Dante’s text and the ballet in three directions: 7. The artistic concept of Beatrice; 8. The interpretation of Dante’s text; 9. The artistic idea and forms. en_US
dc.language.iso ge en_US
dc.subject დანტე en_US
dc.subject ალექსიძე en_US
dc.subject მარიანელი en_US
dc.subject ბეატრიჩე en_US
dc.subject თბილისის თანამედროვე ბალეტი en_US
dc.subject Dante en_US
dc.subject Aleksidze en_US
dc.subject Marianelli en_US
dc.subject Beatrice en_US
dc.subject Tbilisi Contemporary Ballet en_US
dc.title დანტე 700 - ბეატრიჩე ქართულ სცენაზე en_US
dc.title.alternative DANTE 700 – BEATRICE ON THE GEORGIAN STAGE en_US
dc.type Thesis en_US


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