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კომიკურის ენობრივი საშუალებების ქართულად თარგმანის ზოგიერთი ასპექტი

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dc.contributor.author ალექსიძე, მარინე
dc.date.accessioned 2021-11-12T07:50:39Z
dc.date.available 2021-11-12T07:50:39Z
dc.date.issued 2021-09-30
dc.identifier.citation მთარგმნელის საერთაშორისო დღისადმი მიძღვნილი VII სამეცნიერო კონფერენციის მასალები, 2021, გვ.: 5-11/ VII scientific conference proceedings dedicated to the international translator’s day, 2021, p.: 5-11 en_US
dc.identifier.isbn 978-9941-491-28-3
dc.identifier.uri http://dspace.tsu.ge/xmlui/handle/123456789/810
dc.description.abstract At the present stage of development of translatology, it is important to consider various theoretical issues through the prism of pragmatics. According to the definition, pragmatics studies the relationship of linguistic units denoting reality to the one who uses them (the author). Respectively, a work of fiction is an expression of a certain attitude of the author to reality and to himself, and this expression of the author is aimed at achieving a certain effect on the reader. The ability to produce a certain communicative effect, to carry out pragmatic effects on the receptor, is formed as a result of the author’s choice of the content of the message and the way of its expression by linguistic means. It is obvious that the pragmatic potential of a literary text is not something unified, monolithic, but consists of a certain set of text elements, which in their sum, according to the author’s intention, begin to influence the reader. The pragmatic potential of Mikhail Bulgakov’s novel “The Master and Margarita” is undoubtedly enormous. At the same time, it is still possible to single out the main intentions of the author, which are leading in the work. And one of the central places in the novel is the comic, therefore it is extremely important that the pragmatic elements of the text containing the comic component are adequately conveyed in the translation text, since the distortion of pragmatic intentions leads both to a misunderstanding of individual situations and to the leveling of the author himself, i.e. to reducing the value of the translation as a whole. When creating a literary text, the author relies on national, cultural and historical traditions developed by society. When translated, the text “is transposed not only into another language system, but also into the system of another culture”. This means that the translation of a work of fiction is not just a re-expression of one work by means of another language, but also an understanding of the specific features of the culture of the original language, an understanding of the meaning of the significant semantic components of the novel and, finally, their reflection by means of another language. Based on this, it seems very important to consider the translation of the comic elements of the novel by M.A. Bulgakov “The Master and Margarita”, since this will allow, to some extent, to determine the degree of adequacy of the Georgian translation to the original, highlight those elements of the comic, which are the most difficult for translation, as well as to draw a conclusion about how the possible objective loss of some pragmatic potential of the original affects the overall value of the translation. The report examines the results of a study on a comparative description of the system of communicative-pragmatic means of creating a comic effect in the original work of M.A. Bulgakov’s “The Master and Margarita” and the text of its translation into Georgian. For practical analysis, 100 examples were selected from the original text - elements containing a comic component - and the corresponding passages of the translated text. The criterion for the selection of these examples was the presence in them of some comic content, regardless of what type of comic it belongs to (funny, irony, humor, sarcasm). The collected material was divided into several parts in accordance with the types of comic: antitheses, illogisms, clichés, comic position, irony (witty comments by the author), an unusual combination of words, wordplay and so on. The purpose of the analysis is to establish the adequacy of the elements of the comic in the original text to the corresponding elements in the translation. Consideration of examples is carried out on the basis of lexical and semantic analysis. The ratio of adequately translated examples to inadequate ones is presented in quantitative terms. The analysis showed that the most difficult to translate are elements bearing a bright national color, peculiar types of lacunae, i.e. units of a language that do not have direct equivalents in a foreign language. Hence the objective impossibility of conveying those components of the comic, in which these gaps are carriers of comic. en_US
dc.language.iso ge en_US
dc.publisher უნივერსიტეტის გამომცემლობა en_US
dc.subject პრაგმატული ინტენცია en_US
dc.subject კომიკური en_US
dc.subject კომუნიკაციური ეფექტი en_US
dc.subject თარგმანი en_US
dc.subject ადეკვატურობა en_US
dc.subject pragmatic intention en_US
dc.subject comic en_US
dc.subject communicative effect en_US
dc.subject translation en_US
dc.subject adequacy en_US
dc.title კომიკურის ენობრივი საშუალებების ქართულად თარგმანის ზოგიერთი ასპექტი en_US
dc.title.alternative SOME ASPECTS OF THE TRANSLATION OF THE LINGUISTIC MEANS OF THE COMIC INTO GEORGIAN en_US
dc.type Thesis en_US


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