DSpace Repository

კონკიას ზღაპრის ეკრანიზაციები ამერიკულ კინემატოგრაფიაში

Show simple item record

dc.contributor.author გოგიაშვილი, ელენე
dc.date.accessioned 2021-12-13T08:06:13Z
dc.date.available 2021-12-13T08:06:13Z
dc.date.issued 2020
dc.identifier.citation ამერიკისმცოდნეობის 21-ე ყოველწლიური საერთაშორისო კონფერენცია, 2020/ 21th International Annual Conference on American Studies, 2020 en_US
dc.identifier.uri http://dspace.tsu.ge/xmlui/handle/123456789/847
dc.description კონფერენცია ეძღვნება მეიფლაუერის ხელშეკრულების დადების მე-400 წლისთავს/ The 2020 Annual conference of the American Studies is dedicated to the 400th Anniversary of the Signing of the Mayflower Compact en_US
dc.description.abstract Best known in the canonical versions by Charles Perrault and the Brothers Grimm, Cinderella is the widely distributed tale type classified as ATU 510A in the The Types of International Folktales. The Tale of Cinderella is said to be the story that has most often been made into films and TV series. There are not only film adaptations but also interpretations on the theme of Cinderella in many genres: romantic comedy, drama, horror film, psychological drama, adventures etc. From the beginnings of film history it is possible to find silent adaptations of the Cinderella story in black and white. This paper gives an account of some American film adaptations of the Cinderella story. The silent version of Cinderella, directed by the American film director James Kirkwood, appeared in 1914. “A Kiss of Cinderella”, by Herbert Brenon, came out in 1925. In 1926 Alfred E. Green offered his own rendition of the Cinderella story in “Ella Cinders”. In 1939 appeared an American musical film “First Love” by Henry Koster, starring Deanna Durbin. The film is about an orphan who is sent to live with her wealthy aunt and uncle after graduating from boarding school. Her life is made difficult by her snobby cousin who arranges that she stay home while the rest of the family attends a major social ball. With the help of her uncle, she makes it to the ball, where she meets and falls in love with her cousin’s boyfriend. In the film criticism, almost all films with Audrey Hepburn are hold as Cinderella stories. Hepburn’s glamorous makeover in films such as these have made her the model for the cinematic Cinderella, a role to which she might partly owe her status as a cultural icon in the Western world. The paper deals with films such as The Sound of Music (1965), Sabrina (1995); Pretty Woman (1990); Ever After: A Cinderella Story (1998); Maid in Manhattan (2002) etc en_US
dc.language.iso ge en_US
dc.subject ამერიკული კინო en_US
dc.subject ზღაპარი en_US
dc.subject ეკრანიზაცია en_US
dc.subject American cinema en_US
dc.subject fairy tale en_US
dc.subject screenplay en_US
dc.title კონკიას ზღაპრის ეკრანიზაციები ამერიკულ კინემატოგრაფიაში en_US
dc.title.alternative The Film Versions of the Cinderella Tale in American Cinema en_US
dc.type Article en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Advanced Search

Browse

My Account