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მხატვრული პარადიგმა და ერთი ამერიკული ლიტერატურული ტექსტი

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dc.contributor.author ნიშნიანიძე, რუსუდან
dc.date.accessioned 2021-12-24T07:46:06Z
dc.date.available 2021-12-24T07:46:06Z
dc.date.issued 2021
dc.identifier.citation ამერიკის შესწავლის საკითხები, VIII, 2021, გვ.: 317-324 / Journal of American Studies, VIII, 2021, p.: 317-324 en_US
dc.identifier.issn 1512-1585
dc.identifier.uri http://dspace.tsu.ge/xmlui/handle/123456789/943
dc.description.abstract Every person has an individual attitude toward his homeland. A work of art is also read in diff erent ways. Specifi c facts give rise to various emotions and assessments that are often quite diff erent. There is only one step from concrete to general. This article is about Edward Hale’s short story “The Man without the Country” translated into Georgian by Tamaz Natroshvili. The story was written in 1863. Short story describes one event, but this is not just a story about one man. What does it mean for the written to be the man without the country? He describes various situations to present one general picture using numerous artistic paradigms. Psychological passages are also quite important in the story. en_US
dc.language.iso ge en_US
dc.publisher უნივერსიტეტის გამომცემლობა en_US
dc.subject აშშ en_US
dc.subject ლიტერატურა en_US
dc.subject საქართველო en_US
dc.subject თარგმანი en_US
dc.subject USA en_US
dc.subject Literature en_US
dc.subject Georgia en_US
dc.subject translation en_US
dc.title მხატვრული პარადიგმა და ერთი ამერიკული ლიტერატურული ტექსტი en_US
dc.title.alternative Artistic paradigm and one literary text of the American writer en_US
dc.type Article en_US


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