ოპოზიცია " ჩემი-სხვა" : ნოსტალგია, მოგონებები (ეკა ქევანიშვილის ერთი ლექსის მაგალითზე)

dc.contributor.authorწერეთელი, ნინო
dc.date.accessioned2022-01-17T07:16:04Z
dc.date.available2022-01-17T07:16:04Z
dc.date.issued2021
dc.descriptionკონფერენცია ეძღვნება ჭაბუა ამირეჯიბის დაბადებიდან 100 წლის იუბილეს/ The Conference is Dedicated to the 100th Anniversary of Chabua Amirejibien_US
dc.description.abstractThe Georgian-Abkhazian relations have become an urgent topic of discussion in politics and literature during the last three decades. The Abkhazian-Georgian conflict was naturally reflected in the literature of the end of the 20th century. According to Georgian scholar M. Miresashvili: “It’s very difficult to fully present the ethnic and cultural phobias or stereotypes depicting dramatic events of Georgian-Abkhazian relations which took place from the 1990s till today. It’s worth mentioning, that the Georgian writers are unanimous in one question – for both parties of the conflict this war was a failure of spirituality. Therefore, the Georgian writers’ major message to a reader implies the fact, that the Abkhazian War cannot be justified. No one is its winner. “The young Georgian writers and poets, the children (whose fathers went to the war) or those, who were little or very young at the beginning of the post-soviet epoch cannot avoid the topics of war. Their works depict inextinguishable pain related to the loss of motherland and life beyond the border. The poem “Memories of Eshba street 33” by young Georgian poet Eka Kevanishvili is a reflection of the tragic events of the Abkhazian War. A reader becomes a co-participant of this tragedy and “cries over the future, which was not saved”. There are no houses after bombing the city. The people became refugees in their motherland. “Your” and “own” were lost in the native country. Hence, it became conditional in a poet’s imagination: ... “Because our shades, especially, in winter, in the frosty evenings, will start going up and down the stairs, opening others’ rooms to search for their room. Don’t be afraid, we are looking for ours. ... We guard this fired forest, this bereaved village and back shifted sea via a fishing-rod to drag them towards us ... Perhaps, the fish remember us and swim to us.” The sorrow and nostalgia about Abkhazia and her house on Eshba str. 33 are always in the poet’s mind. This unchangeable address unites the distance, missing and waiting. The author’s emotion is quite understandable. Her house and sad or joyful memories are left beyond the border. The given border fully changed the life of people, because the comprehension of “mine- the other’s” is intolerable.en_US
dc.identifier.citationსაერთაშორისო სამეცნიერო კონფერენცია: 1921 წლის ისტორიულ-კულტურული მოვლენები: ხედვა საუკუნის შემდეგ, თეზისები, 2021, გვ. 166-168/ International Scientific Conference: HISTORICAL AND CULTURAL EVENTS OF 1921: THE VISION A CENTURY LATER, Theses, 2021, pp.: 166-168en_US
dc.identifier.urihttps://dspace.tsu.ge/handle/123456789/1054
dc.language.isogeen_US
dc.subjectლიტერატურაen_US
dc.subjectნოსტალგიაen_US
dc.subjectპოეზიაen_US
dc.subjectLiteratureen_US
dc.subjectnostalgiaen_US
dc.subjectpoetryen_US
dc.titleოპოზიცია " ჩემი-სხვა" : ნოსტალგია, მოგონებები (ეკა ქევანიშვილის ერთი ლექსის მაგალითზე)en_US
dc.title.alternativeTHE OPPOSITION “MINE- THE OTHER’S”: NOSTALGIA, MEMORIES (on the example of the one poem by Eka Kevanishvili)en_US
dc.typeThesisen_US
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