პოსტმოდერნიზმის არაბული ინვარიანტი

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dc.contributor.authorდოლიძე/ Dolidze, ნინო/ Nino
dc.date.accessioned2023-03-21T08:00:16Z
dc.date.available2023-03-21T08:00:16Z
dc.date.issued2022-12
dc.description.abstractThere weren’t any social-economic, political or historical factors in the Arab World causing postmodernism. Like other esthetic trends before, it was “brought from the West”. But it wasn’t established in the Arabic environment mechanically. Arab Postmodernism had its native context. It’s true that after the epoch of modernism Europe lost the function of the “etalon”. And yet even in postmodern times Arabs had to catch up with the West. Western postmodern works of art mostly were free of social or political engagements, but Arab culture in the condition of authoritarian regimes couldn’t free from these issues. If freedom of the expression doesn’t exist in society, the protest must be expressed by intellectuals. Since the beginning of the 60s* new Arab generation protested against modernist trends dominated in 50s, and there appeared a new wave of modernization and westernization as well. In Arabic culture, as in the quite different space from the Western world, the invariant of postmodernism was created. Arab postmodern literary pieces contained characteristics of postmodern texts as mixture of different genres, using of traditional forms and signs (but not in an ironic context), anarchical structure, intertextuality, reminiscences, skepticism, hyperspace with ruined borders of time etc., and at the same time they contained some characteristics of national literature caused by native environment. The war, trauma, displacement, destroying of the Arab society gave birth to such themes as memory, identity, looseness in time and space, mixture of languages and cultures etc. If in the 60s-90s engaged literature was outdated in the West, Arab postmodern literature was represented by Emigrant, Prison, Women Writings, Memoirs or Autobiography… These texts were not only depicting the reality, but also contained concrete massages towards Arabic and/ or Western societies. In the Arabic culture of this epoch they also didn’t care for the canons of genre. But as pure postmodern examples (by their form and plot) of art are not frequent, it would be better if we speak about signs of postmodernism in the concrete works.en_US
dc.identifier.citationპროფესორ დავით გოცირიძის 70 წლისთავისადმი მიძღვნილი სამეცნიერო კონფერენცია, თეზისები, 2022, გვ.: 117-122/ Scientific Conference DEDICATED TO THE 70TH ANNIVERSARY OF THE BIRTH OF PROF. DAVIT GOTSIRIDZE, Abstracts, 2022, pp.: 117-122en_US
dc.identifier.urihttps://dspace.tsu.ge/handle/123456789/2201
dc.language.isogeen_US
dc.publisherივანე ჯავახიშვილის სახელობის თბილისის სახელმწიფო უნივერსიტეტის გამომცემლობაen_US
dc.subjectპოსტმოდერნიზმიen_US
dc.subjectარაბული კულტურაen_US
dc.subjectლიტერატურაen_US
dc.subjectPostmodernismen_US
dc.subjectArabic cultureen_US
dc.subjectLiterary textsen_US
dc.titleპოსტმოდერნიზმის არაბული ინვარიანტიen_US
dc.title.alternativeTHE ARABIC INVARIANT OF POSTMODERNISMen_US
dc.typeThesisen_US
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