რამდენიმე სიტყვა ფ. მ. დოსტოევსკის მოთხრობაზე „ნიანგი“

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dc.contributor.authorავაქოვა/ Avakova, ანნა/ Anna
dc.date.accessioned2023-03-20T08:40:52Z
dc.date.available2023-03-20T08:40:52Z
dc.date.issued2022-12
dc.description.abstractLiterary criticism primarily draws attention to the polemical orientation of the story “Crocodile”, its obvious attempt to denounce the liberal opponents of Dostoevsky. The archetypal meaning of the crocodile motif is considered in a number of works. This work, will off er the analyzis of the story and an attempt to discover the meanings inherent in it. In the title itself, certain game is already being played, an indication of the imaginary nature of the visible, the likelihood of surprises, a passage within a passage, where the passage resembles some farce, creates the illusion of a puppet show, where puppet characters are playing a performance in front of an invisible audience. The plot of the story is absurd, the characters are deliberately grotesque, and the dialogues are ridiculous. In some conditional expositional beginning, with the obvious conventionality and unreality of what is happening, the writer gives the exact number of events taking place – this is January 13, the Old New Year. This event takes place at Christmas time, the period from Christmas to Epiphany. Christmas days are accompanied by games, caroling, fortune telling. At first glance, it may seem that the indication of January 13 as the time of the events does not carry additional connotations and our assumptions have no basis. However, consistently analyzing the details offered by the writer, replicas of the characters, we could come to the following conclusion. At the level of hidden meanings, a new reality is set. Before us are Christmas events, hero-masks appearing and disappearing on the stage, traditional Christmas images. Paradoxically, the progressive heroes of the story, acutely worried about public opinion, Ivan Matveich and his wife, who do not want to follow traditions and renounce their own cultural codes, hurrying to the homeland of Wilhelm Tell and to Naples, find themselves involved in a traditional square booth, where, against their own will are playing sacred roles.en_US
dc.identifier.citationპროფესორ დავით გოცირიძის 70 წლისთავისადმი მიძღვნილი სამეცნიერო კონფერენცია, თეზისები, 2022, გვ.: 47-52/ Scientific Conference DEDICATED TO THE 70TH ANNIVERSARY OF THE BIRTH OF PROF. DAVIT GOTSIRIDZE, Abstracts, 2022, pp.: 47-52en_US
dc.identifier.urihttps://dspace.tsu.ge/handle/123456789/2187
dc.language.isogeen_US
dc.publisherივანე ჯავახიშვილის სახელობის თბილისის სახელმწიფო უნივერსიტეტის გამომცემლობაen_US
dc.subjectფ. მ. დოსტოევსკიen_US
dc.subjectმოთხრობა „ნიანგი“en_US
dc.subjectჩადებული მნიშვნელობებიen_US
dc.subjectსაშობაო რიტუალური თამაშებიen_US
dc.subjectფარსიen_US
dc.subjectF. M. Dostoevskyen_US
dc.subjectthe story “Crocodile”en_US
dc.subjecthidden meaningsen_US
dc.subjectritual games during the period from Christmas to Epiphanyen_US
dc.subjectfarceen_US
dc.titleრამდენიმე სიტყვა ფ. მ. დოსტოევსკის მოთხრობაზე „ნიანგი“en_US
dc.title.alternativeTHESES FOR THE ARTICLE BY A. AVAKOVA “A FEW WORDS ABOUT THE STORY OF F. M. DOSTOEVSKY “CROCODILE”en_US
dc.typeArticleen_US
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