წერილი, როგორც ლიტერატურული ეპოქის დოკუმენტი
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Date
2020
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უნივერსიტეტის გამომცემლობა
Abstract
While analyzing complex and controversial literary and cultural periods
(that’s exactly how the first half of the last century literary atmosphere
appears), there is a need for studying the letter as a document – the letter
represents the realities of the everyday life of the era. Therefore, on the one
hand we have a chance to watch the writer's "creative laboratory” (Stylistic,
thematic and other political trends), and on the other hand we can discover
the creator's personal qualities, moral postulates, lifetime convictions. In the
following article we will discuss some letters of Boris Pasternak which are
dedicated to his Georgian friends. This letters are a kind of verbal fixation of
Pasternak’s beliefs about the art of translating, creativity and human
relations, human existential problems.
Literary critics always discuss Boris Pasternak’s visits to Georgia in the
monographs dedicated to him. The first time writer visited Georgia was in
1930s. He met Paolo Iashvili, who was visiting Moscow in 1930 – Paolo invited
him to Georgia and later, in 1931 Boris visited Tbilisi for three month. He met
the best Georgian intellectuals like Titsian Tabidze, Giorgi Leonidze, Simon
Chikovani, Nicolo Mitsishvili, Lado Gudiashvili and others. Boris had the best
relations with these persons for the rest of his life.The conversations and
messages between Boris Pasternak and Georgian poets that lasted for thirty
years is a perfect proof of the fact that Pasternak called Georgia his “second
homeland”.
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ბორის პასტერნაკი, ქართველი პოეტები, წერილი როგორც დოკუმენტი, „შემოქმედებითი ლაბორატორია“, Boris Pasternak, Georgian poets, letter as a document, quot, "creative laboratory”
Citation
აკაკი წერეთლის დაბადებიდან 180 წლისთავისადმი მიძღვნილი სამეცნიერო შრომების კრებული, 2020, გვ.: 89-98