სამცხე-ჯავახეთის ისტორიულ მუზეუმში დაცული სამი ვერცხლის თასის ატრიბუციისა და დათარიღების საკითხისათვის
| creativework.keywords | ტორევტიკა, ბიზანტია, ირანი, გერბები | |
| dc.contributor.author | სილაგაძე, ნინო/ Silagadze Nino | |
| dc.date.accessioned | 2024-03-07T06:20:02Z | |
| dc.date.available | 2024-03-07T06:20:02Z | |
| dc.date.issued | 2023 | |
| dc.description | https://geohistory.humanities.tsu.ge/ge/procedings/83-shromebi/178-shromebi-19.html | |
| dc.description.abstract | Present paper deals with the question of attribution and dating of the three silver bowls – one special sample group of toreutics – preserved in the Samtskhe-Javakheti Historical Museum. In the exposition of the museum artefacts are displayed with the following information: “Silver bowls. Discovered in the ruins of Vani Caves, destroyed during the earthquake in 1283. One of the artefacts is gilded. The Coat of Arms of the Bagrationi Royal Dynasty – “the Coat of Arms of king Solomon” – is depicted on one bowl, which indicates that bowls were a donation from the royal house to the church. XII century”. We argue that the dating of these artefacts is not correct and that they belong to a completely different period, namely – to the Late Antiquity. It is also possible that the cups belong to the special group of objects – so-called Ibero-Sasanian artefacts. If our preliminary hypothesis is correct, a more thorough study of the bowls is needed. In order to be sure in their identification, it is crucial to carefully and thoroughly research all artefacts from the Late Antiquity in Georgia. As we know, the cultural ties of the Georgian states with the outside world in this period became particularly intense. During this period, the influence of the cultures of the Ancient Rome and Sassanian Iran on Georgia has been immense: as a result, the overall cultural picture in Georgia is extremely complex and diverse. Despite the fact that numerous artefacts of the Late Antiquity discovered on the territory of Georgia have been the subject of scientific research for a long time, based on the analysis of the artistic features of glyptic, jewelry or toreutics, it is still possible to clarify certain problems or to evaluate them in a new way. As a rule, their research is carried out in connection with a certain archaeological complex (as it is in the case of the bowls in the Samtskhe- Javakheti Historical Museum). Sometimes this might not lead us to a thorough result. In certain cases, artistic analysis of a sample and studying its stylistic features might give us more detailed information. In our opinion we are dealing with such situation in the case of the three bowls of the Samtskhe-Javakheti Historical Museum. | |
| dc.description.sponsorship | კვლევა განხორციელდა შოთა რუსთაველის საქართველოს ეროვნული სამეცნიერო ფონდის ფინანსური მხარდაჭერით/ This research has been supported by Shota Rustaveli National Science Foundation of Georgia (SRNSFG) | |
| dc.identifier.citation | ივანე ჯავახიშვილის სახელობის თბილისის სახელმწიფო უნივერსიტეტი, საქართველოს ისტორიის ინსტიტუტის შრომები, XIX, თბილისი, 2023, გვ. 9-29 / Ivane Javakhishvili Tbilisi State University, Institute of Georgian History Proceedings, XIX, Tbilisi, 2023, pp. 9-29 | |
| dc.identifier.issn | 1987–9970 | |
| dc.identifier.uri | https://dspace.tsu.ge/handle/123456789/2424 | |
| dc.language.iso | other | |
| dc.publisher | ივანე ჯავახიშვილის სახელობის თბილისის სახელმწიფო უნივერსიტეტის გამომცემლობა | |
| dc.title | სამცხე-ჯავახეთის ისტორიულ მუზეუმში დაცული სამი ვერცხლის თასის ატრიბუციისა და დათარიღების საკითხისათვის | |
| dc.title.alternative | ON THE QUESTION OF ATTRIBUTION AND DATING OF THE THREE SILVER BOWLS PRESERVED IN THE SAMTSKHEJAVAKHETI HISTORICAL MUSEUM | |
| dc.type | Article |